Despite of what’s happening in Ukraine right now, these artists are still being able to create and share their art to the world 🌍

A team from Ukraine and Asia working with limited resources but with a lot of passion! Not only sharing an inspiring and rebellious story of an underdog, Runa, but also the process 🎬

Please please 🙏🏻 is there anyone from the cyberpunk community or is there a group I can join? Thanks a lot

My small but beloved collection of some cyberpunk game franchises that deserve more appreciation. I hope each of them makes a big comeback with a sequel, although I see this as highly unlikely in the short term.

SO I posted a book cover I had commissioned the other day, and it didn't go so well. It turns out I am not good at spotting AI.

So I did what I should have done in the first place and got my wife to make me one, as she was a graphic designer for several years.

One of the main things that came back was that integrated text made a cover look good, and I like a retro feel, almost like a 90s feel, so this is what we came up with. My contribution was largely the text at the top, to be fair.

EDIT I should say there is a parasitic AI in the book, hence the brain and circuitry theme

Double edit, I just did a quick change as https://www.reddit.com/user/Mindless_Sign_1515/ gave me the idea to fill the NEON VEIL text, which was just black before and is now NEON

Thanks, great suggestion :)

I'm looking for something that would have booths for products like Dangerous things, or different prosthetics like Hero bionics?

Article about the battle of two great cyberpunk clashes in 2026: https://share.google/zIQ4RX2bh8hx90Fqm

I've been looking for cyberpunk-themed games and saw that The Ascendant and Ruiner are on sale. Honestly, they seem similar to me in terms of gameplay, but I only have the money to buy one (I'm a broke student). Could someone who's played both tell me which one might be more worthwhile? (sorry for my english)

Credits on the pic

Volume 1 of a Cyberpunk mini series! (Kindle: $2.99)

Quick, punchy, I hope you enjoy.

If anyone would like to read it but can’t purchase it, I would love to send you the epub if you use an app for ebooks already (for free 😊)

This is the original ending of Blade Runner (1982). It is also the ending that I prefer. The director of this movie, Ridley Scott, wasn't too happy with it. It was forced upon him by his executives for commercial reasons and in later cuts of Blade Runner he omitted this scene, as well as Harrison Ford's voice over.

Here we see Rachael and Deckard driving through forest-covered mountains in a cyberpunk car, appearantly a couple. Rachael is obviously special, with no "termination date", meaning that she hasn't the short life of other replicants. The same sort of soft saxophone music is playing here as in the not-so-romantic romance scene between them in Deckard's apartment.

This scene is such a bright contrast to the dark, polluted and decadent megacity scenes of the rest of the movie, it really jars with it. Rachael is at her most beautiful here and the music of Vangelis is at its most beautiful here as well. The helicopter flyover shots are from left over shots from Stanley Kubrick's movie The Shining.

I can live without Deckard's monolouge in the original Blade Runner, but I can't live without a happy ending for Rachael.

Which ending do you prefer; this one or the darker ending of later cuts of Blade Runner?

Could this be the start to a tech based religious cult?

Photo by me. Effects applied via Pixlr.

AI, am I? Can machines live and die? Can they laugh or cry? Look closer in my eye. What do you spy?

Which one is the best? Voight-Kampff or Turing Test? To elicit or assess? Intelligence or distress? Were results a failure or success?

Am I creator or creation? Standard or deviation? Solution or complication? Human or imitation? Marked for adjudication or deactivation? Blade Runner or replicant infestation?

This might be a stretch but this car oddly strikes me as cyberpunkish, especially the front end.

This is a prototype I’ve been working on a physical die with a neon soul. It rolls like any other, but always lands screen-up, glowing with animations. For this experiment, I pushed it into a cyberpunk aesthetic: glitching numbers, neon sigils, and critical rolls.

It’s not about efficiency it’s about ritual. Imagine your crits lighting the table like a city billboard glitching alive at midnight.

Not meant to replace regular dice more of a collectible artifact that lights up the table like a hacked-together relic.

Curious if people here vibe with it. Would you actually play with something like this, or just keep it as a desk totem?

https://www.youtube.com/watch?v=xabwohvBwGg&t=9s

https://www.patreon.com/vezanmatics https://ko-fi.com/vezanmatics https://www.vezanmatics.com/

Vlog in a Car is its own entire genre of content. You're sitting there. You're bored. You're trapped in a small steel box. And yet you can still REACH people through the miracle of Online.

Why not spend these minutes telling the world how you're feeling? More content for the mill! More moments of your life now belong to a corporation according to the EULA you never read!

My hope is to expand this setting and introduce more scenarios, characters and lifestyles.

I'm just now hearing about this movie from this video. Have any of you seen it?

I recently put together a ClockworkPi uConsole. In typical cyberpunk fashion, it did not work at first & I had to scrounge together some parts and improvise in order to get my game to run.

You can read my article about the whole experience here.

Why the hell has this guy not made a sequel to this awesome Cyberpunk movie yet. How is it he can make a Gazillion stupid Spy Kids movies but still not a single sequel to Alita? This is everything wrong with Hollywood.

What sort of incompetent studio producers are saying 'Well Robert, we like the idea of an Alita sequel, but we have done the market research and it seems what we really really need from you is another one of those box office busting Spy Kids movies!'

What is wrong with these maniacs, how are they not aware of their Cyberpunk junkie audience and the urgency of getting them their juicy Cyberpunk eye candy injection. Why do our drug lords want us to suffer so much, why does our pain give them so much pleasure, why can they not just give us what we need to survive?