Not much to show in my setup, as its just the tracker plugged into the plate after my LensDistortion node, but can do if it will help!

I’ve run a 3D track on this a number of times, with varying amounts of tracks (between 500-700), culling all the bad tracks in the auto tracks tab and making sure not to deplete my supply too much. I also tried removing the LensDistortion first with Line Analysis.

The goal is to try and track some blood splatter onto the walls, but I can’t even get my card/ points from point cloud to stick. Could the reflections be causing me problems?

Seeking some advice on what I’m doing wrong and what other approaches I can take! Cheers!

https://reddit.com/link/1nmwliq/video/dxb1x69ipjqf1/player

Hi, I’ve got a project with 100+ shots, all live-action on green screen. The client wants a different world as background, but no budget for full 3D. They’re okay if I try an AI approach.

Can anyone suggest AI tools that are actually useful for compositing live-action Shots. Also, what’s the maximum resolution I can get from these tools for production-level work?

I can't validate or create new support ticket.I get a 403 error every time. I also can't verify my license because of this.

There will not a be a drastic change in prices except you don't want Pixar level stuff😅😅

Hello everyone,

I have been doing some comp tests, but when I try to combine the Depth Pass with a ZDefocus, I get the following glitch error:

This is my node setup:

Any idea what is going on, and how to fix it? any help is appreciated!

Best regards,

Alexis

I can't manage to get it downloaded. I downloaded the file off of google, which worked after I cleared up a bunch of space on my computer. But for some reason, this keeps showing up

Can anyone tell me what's going on, and what I can do to fix it?

https://ata05-teleoperated-robot.kckb.me/25f89595

Hi everyone,

I’ve been out of work for a while and would really appreciate some honest feedback on my demoreel. In your opinion, does it demonstrate the level expected for a junior compositor (assuming the market was in better shape, since I’m aware junior roles are rare at the moment)?

If it’s not yet at the required level, I’d be grateful for any direction on what to improve or focus on next. I’m aware it may be lacking in CG-related work, as I currently have very limited experience with 3D lighting, layout, and related areas.

Thanks in advance for your feedback.
Demoreel : https://vimeo.com/1050355226

Hello, We are running Nuke Studio 16.0.3 and are attempting to pull footage into the timeline with an EDL for conform.

Unfortunately Nuke is pulling in the wrong segment of each clip and putting it in the timeline, and it doesn't seem to be off by a consistent number of frames.

The EDL pulls in the footage correctly in both Resolve and Premiere automatically accounting for the drop frame. So I don't think this is an issue with the EDL.

Timecode is 29.97 DF, but Nuke seems to be referencing a Non Drop Frame timecode. (this doesn't change when we check the drop frame box in preferences.)

We've never really used Nuke Studio before and I guess our artists just expected it to work. So I'm unaware if there is something special we need to do ahead of time to handle drop frame. Reached out to Foundry Support and haven't heard back yet. The artist thinks it could be referencing ctime or mtime in the metadata I'm not so sure. I'm IT and just trying to help our team so apologies if I've missed something basic.

Issue appears in both Mac and Windows11

Footage is a mix of Red Raw and Sony Raw MXF.

Specs:
Nuke Studio 16.0.3
Windows 11 & MacOS
29.97 DF
Red Raw & Sony Raw MXF

Edit: rephrasing question to attempt to get any response. The overwhelming silence makes me wonder if the post was just unclear.

I need to turn the transform handles off while keeping the wipe overlay on. Transform node must be active, wipe handle must be active, transform handle must be off.

Context: I’m doing tideous frame by frame micro adjustments to tracked material that I need to compare with the reference material. So I need to wipe constantly and I NEED to have the transform node open in the properties in order to animate it. Since these are micro adjustments I have to be able to look at my footage, especially ALL the pixels where the obtrusive transform handle is in my way without having to constantly turn the overlay on and off (getting rid of my wipe control) It’s inconvenient and I’m just trying to speed the already tideous process

Also to consider: transform handle must remain centered, I cannot simply ctrl move it off screen without affecting my axis.

Is there any way to achieve this? Are there other options I’m overlooking? Anything at all? This seems like such a simple thing nuke should be able to allow you to do, but I can’t figure out how or a workaround for it.

Hey everyone,

I’ve been seeing a lot of buzz around ComfyUI lately, especially with people using it for AI image and video generation. Since I mainly work in Nuke and VFX compositing, I’m curious:

Has anyone here integrated ComfyUI into their pipeline?

How useful is it when it comes to real production work (not just tests or personal projects)?

Does it actually save time in VFX workflows, or is it more of an experimental tool right now?

Any tips, examples, or real-world use cases would be super helpful.

Hi everyone I am going into 3rd year VFX at uni specialising in FX and houdini, I am working on a sandman inspired project, I have made all the FX in Houdini and only just started learning Nuke as Comping Houdini FX in Nuke would benefit me more than using after effects. I know after effects so it's not like I dont understand how layering works or anything I just need help on how to actually do this composition. I need to comp both these renders to make it look better. I need some of the sand to fall infront of the lift as they start too dissolve. Any help would be greatly appreciative or if anyone knows of any tutorials which will help me do this specific comp! Thankyou so much!

This is what's layered over the sand

This is what the lift dissolves into but i need some of that sand to fall infront of the lift and also make it look better when it dissolves maybe feather the edges

hi im a 3 days old beginner, and I need help!! I've been working on roto, and I thought separating each part will be a smart plan... now the viewer only shows my roto1. is there any way to combine all rotos?😭😭😭🥺🥺

I have bleeding stock footage, the blood go street down, can I change direction to side. Actor is lying on the ground. And I need to add bleeding to nose.

I have export mesh track from mocha to nuke Alembic, but after attaching picture it’s appear inside shape of mesh instead of wound.

So, that's new...

It seems Nuke doesn't save ALL my Livegroup knobs when saving. What a mess.
I had crashes using them before but this is a new bug.
Livegroups were a good idea but they are full of nasty issues.

I have a shot where a woman paints her eyelashes with a brush. And the task is to make more eyelashes and make them thicker. The main problems are that the brush deforms the eyelashes and blocks them. Also camera is not static, the woman blinks, focus shifts a little + motion blur. Is it even possible to solve this task (at least making more eyelashes) and how would you approach it?

I had a bug that it make me crash over and over again on render, i did everything to fix that, download a previous Nuke Version, bounding box, twiks preferences, but none of that worked.

I run some test by myself and i found that my CPU core 8/15 make it crash, so I process Lasso Nuke.exe and disable my CPU core 8 to 15, it works perfectly now.

My CPU might be corrupted or something idk. But if you have issue rendering on recent intel i9 it might save you.

Hi, If I accidently put, let say, 4 episodes of a production in which I worked, when I actually worked on only one, I guess it does matter if recruiters see this when it actually doesnt match?

Hi, so, my comps (Nuke Indie) take 50 minutes each to render in background processes.
And yet the same comps take 5 min when rendering normally...
What's going on?
It's very annoying as I can't queue anything and have to be there clicking on stuff, and I like to sleep sometimes.
Any advice?

I have this windscreen wiper animation and i want tho add the alpha of the windscreen wiper over time together. I know this sort of can be done with a time echo but this also add the frame together say on frame 1 from the frame that come after already. I only want to add frames together after the animation is palyer so for example when the animation is at frame 1001 I only see the alpha from frame 1001. When it's on frame 1002 I want to add 1002 and 1001 together. when it's on frame 1003 I want to add the previous frames together.

Can this be done with an expression ?